In other jobs I rigged characters even though I was an animator. I never imagined myself as a rigging artist. How would you describe the process of rigging and animating the characters? Process shot from The Little Girl & The Alien: Storyboard to character rigs, render view and a final production still with compositing effects applied. I knew exactly what to do in my head - characters, boards. And I thought, “I have ideas I could animate one day.” One of them was The Little Girl & The Alien. I started as a designer, so I didn’t know how to make animations at the time. It was really straightforward because I had the idea for a long time, even before I started animating. What did the planning stage of this project look like? I think I ended up finishing a few months before everyone else because I was way ahead with the rigs and compositing. It was just me working on it, and having input from my friends. When the second round of shorts came up, I already had all the builds with the final designs. I was like, “You know what? I’m just going to continue this project. I started the project with a work friend, and he ended up leaving Mercury at the time. The Little Girl & The Alien is such a creative short! Who collaborated on this project? Mercury Filmworks’ shorts program gives artists the opportunity to work with the studio’s development team to create their own animated shorts.
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